{"id":3237,"date":"2022-08-04T13:01:31","date_gmt":"2022-08-04T13:01:31","guid":{"rendered":"https:\/\/www.agcex.org\/extremadura-escena\/?p=3237"},"modified":"2022-08-04T13:26:51","modified_gmt":"2022-08-04T13:26:51","slug":"workshopfundao","status":"publish","type":"post","link":"https:\/\/www.agcex.org\/extremadura-escena\/workshopfundao\/","title":{"rendered":"Dos plazas gratuitas para el Workshop “O corpo da m\u00e1scara” en Fund\u00e3o"},"content":{"rendered":"

\u00a0Del 15 al 19 de agosto se celebrar\u00e1 en Fund\u00e3o (Portugal), el Workshop\u00a0 “O CORPO DA M\u00c1SCARA\u201d con\u00a0 Sofia Cabrita, actriz, directora, locutora y profesora.\u00a0 \u00a0Est\u00e1 organizado por Este Esta\u00e7ao Teatral, organizadores de la Feria Ib\u00e9rica de Teatro de Fund\u00e3o.\u00a0<\/em><\/span><\/p>\n

<\/p>\n

Se trata de una formaci\u00f3n destinada a actores\/actrices; directores\/as y\u00a0 estudiantes de artes esc\u00e9nicas.\u00a0 El n\u00famero de plazas son 12. \u00a0 Desde la organizaci\u00f3n ofrecen alojamiento en casa compartida as\u00ed como comidas y cenas para las personas inscritas durante los d\u00edas de la formaci\u00f3n.\u00a0<\/p>\n

Gracias al convenio suscrito por AGCEX y CEMART con la Feria Ib\u00e9rica de Teatro, desde la organizaci\u00f3n nos ofrecen dos plazas gratuitas para aquellos profesionales o estudiantes extreme\u00f1os del sector que quieran asistir. Para ello deber\u00e1n cumplimentar la hoja de inscripci\u00f3n disponible en el siguiente enlace INSCRI\u00c7\u00c3O_1 (2) <\/a>y mandarla a este.prod@gmail.com<\/a> antes del 9 de agosto de 2022.\u00a0<\/p>\n

M\u00e1s informaci\u00f3n en el siguiente enlace LAVARIA 3.0_ APRESENTA\u00c7\u00c3O<\/a><\/p>\n

Os dejamos la informaci\u00f3n en Portugu\u00e9s:<\/p>\n

SINOPSE
\nExistem infinitas t\u00e9cnicas para um corpo mascarado, tantas quantas possibilidades do objeto
\nm\u00e1scara. Contudo, podemos encontrar um ch\u00e3o comum que parte de elementos t\u00e9cnicos e
\nexpressivos a que chamamos “corpo de m\u00e1scara”. <\/span>A m\u00e1scara n\u00e3o esconde, mas revela e amplia
\naquele que a usa (ou aquilo que quem a usa quer que se veja), e \u00e9 sempre impessoal porque evoca
\npara al\u00e9m do corpo. A m\u00e1scara desumaniza ao mesmo tempo que nos aproxima paradoxalmente
\nda nossa verdadeira natureza tragic\u00f3mica.
\nDo universal ao particular, iremos abordar a m\u00e1scara no teatro a partir dos conceitos t\u00e9cnica,
\nforma, jogo e tradi\u00e7\u00e3o. As m\u00e1scaras que vamos explorar, assentam numa proposta pessoal
\nart\u00edstica, ritual e pedag\u00f3gica, capaz de gerar novos modos de cria\u00e7\u00e3o teatral, novas abordagens
\nao trabalho do ator e uma reflex\u00e3o sobre o objeto m\u00e1scara como mediador.<\/span><\/p>\n


\nCONTEUDOS
\n. A m\u00e1scara neutra: a procura do fundo po\u00e9tico comum, a an\u00e1lise do movimento, o corpo em jogo,
\no espa\u00e7o, o sil\u00eancio.
\n. A m\u00e1scara interm\u00e9dia: o rosto coberto que revela, o in\u00edcio do corpo de m\u00e1scara, a rela\u00e7\u00e3o com o
\np\u00fablico, a plasticidade, a mise-en-forme no espa\u00e7o.
\n. M\u00e1scara expressiva: t\u00e9cnica e forma, o corpo de m\u00e1scara, improvisa\u00e7\u00e3o<\/span><\/p>\n

 <\/p>\n

SOFIA CABRITA<\/span><\/p>\n

\"\"<\/span>Atriz, encenadora, locutora e professora, desenvolve o seu trabalho art\u00edstico no \u00e2mbito da cria\u00e7\u00e3o de espet\u00e1culos a
\npartir de pessoas, hist\u00f3rias e lugares, usando as m\u00e1scaras e os objetos como mediadores destes espet\u00e1culosencontro. P\u00f3s-graduada em Comunica\u00e7\u00e3o e Artes pela FCSH, formada pelas escolas de Teatro do Gesto Estudis de Teatre (Barcelona) e K\u00edklos-Scuola Internazionale di Creazione Teatrale (P\u00e1dua) e licenciada em Forma\u00e7\u00e3o de Atores-Encenadores pela ESTC. Encenou e colaborou com v\u00e1rias Companhias de teatro e criadores – Fernando Mota,
\nMiguel Castro Caldas, Miguel Maia, Companhia do Chapit\u00f4, Sara Franqueira, BAAL17, ESTE-Esta\u00e7\u00e3o Teatral da Beira Interior, Rog\u00e9rio Lopes (BR), Martin Joab, Madalena Marques, Jo\u00e3o Louren\u00e7o, entre outros. Faz parte de um coletivo de pesquisa e cria\u00e7\u00e3o de espet\u00e1culos documentais, usando a linguagem da m\u00e1scara e dos objetos: Casear Cria\u00e7\u00e3o de documentos Teatrais. Apresentou cria\u00e7\u00f5es em Espanha, It\u00e1lia, Venezuela e Brasil. Leciona Teatro do Gesto e M\u00e1scaras desde 2003 no ensino art\u00edstico superior (ESTC, ESMAE, ESAD CR, Un. \u00c9vora e ESTAL), ensino profissional e em escolas de ensino n\u00e3o formal. Foi bolseira da DGARTES no Brasil, num projeto de teatro de m\u00e1scaras e pesquisa em tempo real, com Rog\u00e9rio Lopes. Foi aluna de Donato Sartori, no Semin\u00e1rio Internazionale – L\u00b4Arte della Maschera, em Abano. Enquanto arte-educadora, colabora com o Servi\u00e7o do Museu Gulbenkian desde 2012 e tem estado ligada a v\u00e1rios projetos de forma\u00e7\u00e3o sobre pr\u00e1ticas art\u00edsticas aplicadas a contextos n\u00e3o art\u00edsticos. Colabora como formadora de mediadores com a EGEAC, DMC e Plano Nacional das Artes. Foi a respons\u00e1vel art\u00edstica do projeto de teatro e literacia, no Conselho Portugu\u00eas para os Refugiados (CPR) \u2013 PARTIS I e colabora atualmente no PARTIS III com o Projeto Lado P, no Estabelecimento Prisional de Caxias.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

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